I finished season 2 and I liked it too, but I can see that if you compare the characters in the two series, Korra does not spend much time to develop them. On the other hand, they create the world a lot more. The characters are still OK tho.
Which ones..?
Season two honestly made a lot of weird choices and left a lot unexplained, like SPIRITS, the FOCUS OF THE SEASON.
I only didn't like that I still do not know what was the light that was given to Korra by Tensens spirit gifted child and Korra became a little like a mary sue at the very end fighting evil itself.
Season two basically wrecks the mysticism of it's predecessor, and adds a literal Light/Darkness component to the story that was not originally there and has no place really being there (avatars are really more neutral...). The notion of "A Dark Avatar" is plain dumb, Unalaq's plan when pushed to desperation was pretty stupid, they had no idea what they were doing with the Varrick arc other than with Varrick himself, the twins were a dumb idea, it was clear that they needed somewhere to put season one's characters as filler placeholders so that Korra could do more shit by herself, they kept trying to make Bolin work as a Toph/Sokka fusion to relive the former show's humor style but it comes off hammy and hollow, Korra quite literally gets Amnesia for like, two episodes to showhorn in an unrelated plot...
It was a baaaaad season, I could go on about it for a while.
I don't like one of their villain designs, but the rest of it's an arguably better season. They actually address a lot of LoK's original flaws and convert them into features. Shame about how they handle MORE NEW CHARACTERS.
Also for the four or so different main villains the show presents, season three's big bad is my favorite for the series conceptually and for his execution of ideals.
If you ignore all the main characters and focus purely on the setting it can be construed as something likeable in post-analysis. It's a marvelous example of world building, even if the pieces within it were used a little strangely.
Yeah and I love world-building movies, I watched GOT for this reason.
Gotta love how they wrapped it all up. Without watching the actors outside of the show it'd have just been garbage.
"BEST SEASON EVER", their lawyer language was a spectacle to watch when they weren't allowed to directly say it was bad.
I really hate characters like Amon(not writing-wise, but if he was irl with such characteristics) though and I wanted to see him die.
I liked Amon until they rushed him.
I predicted he is a bender, I still dislike how much power the authority gave him. People like Amon only get as much power as the authority lets them until it gets out of control. He is a terrorist and no one even called him out on it once in a public event. Everyone wanted to pretend he is an irrelevant criminal. Even if he didn't have the ability to remove bending.
Imagine how much more fleshed out he could have been with more time.
Even their Pro-Bending arc felt really rushed and oddly cobbled in there to try to fit it into the Amon story, but it could have really been two different arcs and handled beautifully if they'd had even just a few more episodes. Even their love triangle could have felt more naturally handled if they weren't so unsure about if they would or wouldn't have a second (and a third) season.
In Korra one problem I took some issue with is the amature way they handle Amon/politics, but when you think of the context, they never had to deal with anything like modern/democratic city politics or terrorists before in the entire history of the world.
They also throw it all away in the following season. It's treated as if it never happened save for a few idle references in the script.
Well they appointed a president now, who was just as retarded. The avatar said 'send an army or the world ends' and he was like 'nah, if it ends we gotta have one here', cause that will somehow stop the end of the world. Ofc Korra has a bad rep because she is just a teenager and acts like one quite often so there is some justification, why believe such an outrageous claim, even if it comes from the avatar.
I'm glad they found ways to tie that into the show itself further along more naturally instead of as a phoned in semi-vague ever-constant obstacle.
I get that she was meant to be taken as a bull headed brash charges without thinking Avatar, and I like how her morality is VERY EASY TO ARGUE as not "Good" as an inversion of Aang's struggles (the entire show is like learning ATLA's lessons backwards).
A non-bender rebellion made sense, and excited me for the series, but yeah if they had two or three seasons to work on the same villain it could have been a much more dynamic story.
While it makes sense, the truth is that the non-benders are not really oppressed enough to really care.
The oppression even extended as far as to show a split in their government policies pre-presidential BS, the Triple Triads were never really dealt with beyond some allusion to them at a few random points of the script, and no one uses chi blocking anymore.
Season two aimed to separate themselves from the Ehasz's influence as best they could, and by the end of it quite literally rips her connection to the former show by force.
So they need an inspirational leader that works on the weakest of the non-benders who had some bad dealing with a bender and the leader uses their insecurity to get them into the fold. Then it becomes a chain reaction. But they won't do anything if there is no real oppression.
Also, they never explained why Amon's lineage was that of super benders (spoiler, highlight to see).
They kinda did, at least enough for me to accept it.
Must have missed it, why was their grandpa such a bender?
I mean they expressed the bloodline through a direct lineage and very specific training, something they expressed somewhat in The Last Airbender (before Republic City trivialized lightning and metal bending).
I dunno, considering a lot of glaring issues with the series, especially when compared to it's predecessor, that one's a little easier for me to sweep under the rug.
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